Sunday, April 28, 2013

Fun Fact


     Slade Morrison was more of an artist than an author.  He did, however, co-author with his mother, Toni Morrison.  There is a website on Slade and all of his work.  This was the only thing that I could find on him.  He was born in Lorain, Ohio.  He lived and painted in New York.  He passed away December 22, 2010.  Slade’s paintings are profound.  He does mostly abstract, but it shows real depth and emotion.  I believe he gets this from his mother, who too shows deepness in her writing. 




Secondary Sources - Reflection


     Despite the close relationship maintained between Guitar Bains and Milkman Dead throughout Toni Morrison's Song of Solomon, the pair of best friends could not contrast each other any more with their differing backgrounds and outlooks on life.  The strict raising of Milkman by his oppressive father restricts the son's personal growth whereas Guitar is portrayed as a free-spirited, passionate youth.  Analyses of the two characters reveal how their standings in society affect their perspectives and day-to-day actions, thus justifying the methods behind their madness.  One's placement in the social hierarchy has a great bearing on determining how each individual is to perceive and be perceived by his or her peers.  The social class system affects people in various ways, depending on which strata they happen to fall into -- upper class, middle class, or lower class.  Members belonging to the middle and upper classes experience life differently than members belonging to the lower clueless due to the level of accessibility to resources and wealth.  
     As a member of the middle-upper class, Milkman is shielded from the reality that many of his acquaintances face daily.  Macon Dead's real estate success enables Milkman to live comfortably his entire life; he is unfamiliar with current events and social issues as they do not directly affect him.  Guitar interprets Milkman's lack of interest as carelessness; however, his disinterest actually stems from his inability to relate to the issues discussed by his peers.  Milkman is not unintelligent, rather he is naïve about the ways of the world because he does not experience them first-hand like Guitar does.
Although Milkman does not necessarily see it this way, Guitar's placement in the rocking class deems him inferior according to the hierarchy that rules society.  Guitar's position in society, however, is also advantageous in some ways because he is not required to adhere to certain values or maintain a proper image.  Guitar's lower class rank provides him with something vital, something that Milkman lacks -- freedom.  Guitar is an independent being whereas Milkman relies on materialism to measure his satisfaction.  Guitar develops his own passionate interests and activities,especially focusing on race and equality as they relate to him personally.  
      Overall, Guitar is composed of more substance than Milkman because his street wisdom and way of life calls for a more practical perception.  Milkman's upper-middle class mentality parents him from realizing that the events that Guitar and the other men discuss are applicable to him too because of his African American descent.  Though Milkman does not realize it, Guitar acts as his mentor over the years.  For example, when presented with the opportunity to retrieve the gold from Pilate's house, Milkman expresses interest because of his worldly view regarding materialistic value; Guitar, on the other hand, sees the gold as a way to promote the success of Seven Days.  Over the course of the entire novel the two have opposing views about humanity and utilization of resources.  Ultimately Milkman discovers the truth in what Guitar has been trying to educate him about all along; you alone are in control of choosing what you would be willing to die for, so rather than allowing others to manipulate you for their own motives, take control of your life and live it as you wish.  Don't just exist; live.  And if you cannot live for something, die for something.

Secondary Sources - Reflection


Morrison’s literature is full of oppressed characters; economic or social oppression affects many of Morrison’s main characters.  This reflection focuses on the oppressed children one may find in Toni Morrison’s novels.
In the novel Beloved, Morison has many black characters who face the oppression of slavery, including children. One example is Sethe’s youngest daughter, Denver, who was born into a life of slavery. Denver lived the first eighteen years of her life alone and lonely, although she lived with her mother. She was ostracized from the rest of the community because of the actions of her mother. Denver never had playmates; instead, she found companionship in her ghost sister. She lived in constant fear of her mother, ever afraid that her mother would kill her like she did her sister. Denver’s childhood was full of disappointment, even when her sister, Beloved, returned. Beloved’s presence caused her mother’s downfall and left her in a helpless state. The young girl, Denver, was forced to ask the community to help the family. The black community did aid the family, but Denver had to take a job to provide for the family’s needs. Ironically, she took the very job that her mother so desperately tried to save her from, a servant caring for white people. Although Denver lived a rough life, she was a resilient character who triumphed over the oppression and gave readers the notion that she would survive and flourish in her community.
The Bluest Eye by Toni Morrison also has characters that live under the oppression of others. Cholly was born in purity and innocence but quickly became degraded like many of the other characters of the novel and lived in a community that was socially oppressed. Cholly’s childhood living in oppression caused him to turn his emotions inward, which led to a life of depression and self contained rage. He is a character incapable of expressing love or compassion and is only capable of hate and anger. His emotions were ultimately expressed in violent sexual acts. Cholly became a man full of hatred and despised the weak and powerless members of society; they reminded him of his own past. The oppressed character, Cholly, finally took on the role of the oppressor and took out his frustrations on his daughter, Pecola. He expressed his anger from his traumatizing childhood by raping Pecola.
Pecola is another character whose life revolved around oppression. She was teased by many in the community because she was ugly and had no nurturing figure in her life. The raping and teasing quickly converted Pecola’s own thinking into believing that she was indeed ugly. Pecola never fought her father off when he raped her; this was the only form of love she received, although it did not result from any feelings of love. She was oppressed by the community and her family. All she ever wanted was to be accepted and to have the blue eyes that she believed would make her pretty to others.
Claudia is, perhaps, the most distraught character in The Bluest Eye. Claudia rebels against the oppressing white society because she is not popular within their white culture. The oppression turns Claudia to hating everything and everyone white. She even hates the white baby doll gifts from others because they remind her of a white childhood star, Shirley Temple, who danced with Bill “Bojangles” Robinson. Bojangles was her idol and Claudia became furious when she realized that black people were not ever going to have the privileges of white people. Her hatred of the oppressing white race drove her to dismember the white baby dolls she received as gifts. She refused to like anything white or light in color and rejected them for things of color.
Another novel illustrating oppressed children is Sula. This is a novel that slowly shows the destruction of the entire oppressed black community from the Bottom. The black community is oppressed in this novel by the white community. The whites control the majority of lucrative businesses and receive all of the lucrative jobs. Two of the main characters in the novel are two young black girls, Nell and Sula, who become best friends, but grow apart as adults. Nell found oppression at the hands of her own father. He arranged her marriage to a man, Jude, and forced her to exchange one life of oppression for another. Nell became oppressed by her husband and bound with motherly and wifely duties. Sula is the most oppressed character in the Bottom community and is considered by many as an outcast and labeled as evil. Together, Sula and Nell live through many horrendous acts throughout the novel, but both grow to become successful in one way or another. Sula is oppressed by the community her entire life even though her presence during adulthood actually helped the community. Nell lived an oppressing life in poverty and struggled to care for her children without their father present; he abandoned the family and left Nell forever in a life of hardship.
These are only a few of the novels Toni Morrison has written that include characters living a life in oppression. The oppression takes many forms and comes from different sources, but, never the less, it determines the life and mindset of the characters. Not many of her characters ever overcome the oppression, but some of the characters find reason to be happy in their life that is bound by the oppression. One has to read the majority of her novels to discover them and realize that even in a life bound by the oppression of others—happiness can be found.  

Secondary Sources - Excerpt

Excerpt from The Toni Morrison Encyclopedia, The Big Box (1999)

     In 1999, award-winning novelist Toni Morrison made her first foray into the world of children’s literature.  The result is a picture book, The Big Box, coauthored by Morrison’s son Slade and illustrated by Giselle Potter.  A long story poem, the book focuses on three children, Patty, Mickey, and Liza Sue.  Each of the children, in turn, has behavior problems and is sent, by parents and other authoritative adults, to live in a big box, a room from which the children cannot escape.  They are provided with all the material comforts they could want, but must live isolated in the box, the monotony broken by weekly visits from their parents.  Throughout the book, the children are compared to animals who enjoy the freedom and liberty of the natural world.  While the adults maintain that these severe restrictions are for the children’s own good, the final page of the book depicts the three breaking down the walls of their box to escape.
     As in her fiction for adults, Morrison has created a work of strong social commentary, questioning commonly held beliefs about the rights and responsibilities of our youngest citizens.  The three children in this book are portrayed as perfectly normal children—energetic, exuberant, and perhaps a bit mischievous.  But none of them is a serious problem child; Patty talks too much in school, Mickey plays handball in his apartment building, and Liza Sue sympathizes with the animals on her farm.  None of them threatens social order.  Clearly, the society that would repress children to the extent of eliminating normal childhood is the real threat.  Morrison manages to attack our rule-bound society (rules are posted everywhere in the children’s world), as well as our intolerance for the inconvenience that we so often associate with children.  She also comments strongly on the materialism of contemporary American culture.  When these children are put in the box, they are obviously cut off from experience in the natural world; their parents respond by filling their lives (their box) with stuff—toys, gadgets, total consumer indulgence.
     Unfortunately, Morrison’s message is a bit heave-handed, and the book suffers.  Critical response to The Big Box has been mixed, at best.  Reviewers agree that this picture book holds little appeal or meaning from the traditional picture-book audience:  young children.  The plot is boring for little people, perhaps even a bit frightening, and the message doesn’t really apply to them—children are the victims here, not the oppressors.  Adults, on the other hand, are not typically drawn to picture books, nor are older children.  So The Big Box may be remembered purely because it was written by Toni Morrison, not because millions of children clamored to hear it every night at bedtime.    

Beaulieu, Elizabeth Ann. The Toni Morrison Encyclopedia. Westport, CT: Greenwood, 2003. Print.

Tuesday, April 23, 2013

The Big Box

Toni Morris, with the help of her son, Slade Morrison, once again writes a book that encourages people to think on a deeper level.  Unlike the majority of her writings, this is a children’s book that challenges the definition of social boundaries adults set for children.  In The Big Box, parents, teachers, and other adults determine the boundaries of personal freedom for three irrepressible children “who just can’t handle their freedom.”  Because these children don’t fit into the expectations that the adults have for how children should behave and act, the adults have created a world inside a box where the kids are to live.  The adults have supplied everything they think children would want: toys, games, gifts, and treats.  In this artificial world, the children are allowed to love carefree and happy.  What the adults don’t consider is that all these children want to be accepted for who they are and to have the freedom to be themselves.



     

Thursday, April 18, 2013

Little Cloud and Lady Wind

Toni Morrison’s Little Cloud and Lady Wind narrates the tale of a passive, withdrawn cloud who must allow the wind to prove to him that there is strength in numbers.  Little Cloud finds peace and comfort in being alone; when Lady Wind insists that all of the clouds join up because “clouds have to stick together if we want to be strong”, Little Cloud refuses the suggestion and chooses to drift along solo.  In isolation, Little Cloud yearns for opportunities that are unavailable to her; consequently, Lady Wind steps in and helps her fulfill her wishes.  The kind gesture proves to Little Cloud that sometimes it pays to get by with a little help from your friends.

The Book of Mean People


This children's book is written by Toni Morrison and her son Slade Morrison. It tells the story of a child's observations of all of the mean people in his life. Mean people include people of types-- tall, short, male, female, young and old have all been mean to the young child. He comments on how the mean people frown mostly but, ironically, even smile sometimes when they are being mean. The mean people in his life mostly include the people he should be able to trust the most, his family. The child's story is heartbreaking as he describes all of the negativity in his life. Miraculously, he  overcomes all of the negativity in his life and decides in the end that he is going to be happy and smile, no matter how the "mean people" treat him.